A few months ago, we reported Amazon Prime Video and Blumhouse were going to release eight genre movies that focus on diverse casts, female voices, and emerging filmmakers under the “Welcome to Blumhouse” banner. With the first of these films, Veena Sud’s The Lie, now streaming on the platform, I recently spoke to Joey King about being part of the project.
If you haven’t seen the trailers, The Lie follows a divorced couple (Peter Sarsgaard and Mireille Enos) as they try to protect their daughter (King) after she confesses to a horrible crime. As the couple deals with the ramifications of their daughter’s actions, they are forced to decide how far they’re willing to go to keep her safe and protected from the authorities.
During the interview, Joey King talked about talked about working with Veena Sud, how The Lie asks how far you’d be willing to go to protect someone, what it was like filming in the Toronto winter, her thoughts on seeing movies in a theater or at home, David Leitch’s Bullet Train, what’s she’s learned as a producer, and more. In addition, she teased what fans can look forward to in The Kissing Booth 3.
Collider: Were you prepared to have your Netflix Uglies project drop on the day you’re doing press?
JOEY KING: I mean, yes and no. I was kind of made aware it was going to drop, but I wasn’t really like, “Oh yeah, I know that’s going to drop.”
Got it, I won’t pressure you on that project. But jumping into why I get to talk to you with the film, how nervous were you to put the old videos of you in the movie when you were much younger?
KING: I think that was such a fun touch. And I love when people get to feel connected to a character and the fact that they were able to see footage of me when I was young in real life… I mean, I feel like it actually gives me a little bit more insight into who my character Kayla is.
One of the things that I really enjoy about movies is when they put you in a situation and you wonder, “What would you do if confronted with the same thing?” Can you sort of talk about the fact that everyone in the film is confronted with a choice, and what would they actually do?
KING: I think that’s what’s so interesting about this movie, it really does present the question how far would we go for the ones that you love, even if it was a big coverup of suspected murder. And something that’s so interesting about my character is, how far are you willing to let others go for you? Especially when you know you are telling quite a big lie.
Can you share a little bit about working with Veena Sud?
KING: Veena’s amazing. She’s so, so kind, but such a boss. I just love her so much. She was so much fun to work with and just so sweet and collaborative and I felt so safe in her arms. A character like Kayla is something that I was really excited and nervous about because I wanted to showcase her side that deserves empathy while also not giving away the ending. I mean, just working with Veena on that was such a treat.
I spoke to Peter earlier, and I wanted to specifically talk about that water scene with the bridge, because it looked like it was freezing cold when he had to jump into the water to look around. Can you share what filming that scene was like?
KING: Yeah. So you’re correct, the water was unbelievably cold, he was wearing a lot protective waters gear underneath his clothes. And when you’re kind of faced with such an uncomfortable situation, like going into freezing cold water in the middle of a Toronto winter, there’s nothing you can do but laugh about it. And Peter is so great, I mean, he was just cracking up the whole time trying to stay warm and trying to stay positive. Because at that point, if you don’t let yourself laugh about it, you’re just going to be even more miserable when you’re already freezing.
Completely, the movie is going to be coming out on Amazon, and you’ve also obviously worked with Netflix many times. You’re much younger than I am, and I’m curious if you have the same sort of need to see movies in a movie theater, or if you are just as comfortable watching stuff at home?
KING: So I think that since the pandemic started the absolute desire and need to go to the movie theater has just amped up for me, all I want to do is go to the movies, but I’m not going to, of course. But that’s all I want to do, I love a movie theater. I love just the experience of seeing a movie in theaters. But at the same time, we got to be safe, we got to adapt. And I’m trying not to look at necessarily adapting as a bad thing, I’m trying to look at it as a positive thing because we do have so much amazing things to watch right now. There’s so many things being produced, there’s so much being released, there’s definitely not a lack of choice. And so I’m very grateful for that, even if we do have to stay home and can’t go to a theater. I think that it sucks, but we got to adapt and we got to try and remain positive about it because we are lucky to still have choices.
I definitely want to ask you a few spoiler type things that would run after the release of the movie. Did you guess the ending when you were reading the script or were you as surprised as the audience when you got to those final pages?
KING: I was completely shocked, I’m just absolutely shocked when I got to the ending of the story. I couldn’t believe it. But I have to say, I love that it pulled the rug out from under me, I was not expecting that ending. I was just so focused on what was happening that I couldn’t have even guessed that that would have happened. And I hope audiences are as shocked as I was when I first read it.
I think they, one hundred percent, will be. Even if they somehow got away with murder, do you think that the family could ever get back to normal?
KING: That’s a great question. And I think I’m probably going to say no. I wouldn’t know personally, because I’ve never murdered anybody and then tried to go back to normal, but I have a feeling it would not be very easy to continue your life as if nothing ever happened.
Full interview: collider.com